Surreal Floating Head Cursor Comedy

Surreal photorealistic floating head comedy, ONLY one detached head suspended in empty grey space, elastic facial squash-and-stretch, absurd mouse-hand interaction, funny digital puppet energy, ultra-detailed skin, realistic hair and glasses physics, cinematic close-up. @Image1 is the exact identity reference. Preserve the real face shape, skin tone, hair, eyebrows, eyes, nose, mouth, facial hair if present, glasses if present, and recognizable likeness from @Image1. The character must be ONLY A FLOATING HEAD. The frame must show head and hair only. Crop ends cleanly under the jaw with soft shadow fade. Keep the bottom of the head hidden in shadow. Never reveal neck, throat, shoulders, torso, clothes, hands, arms, chest, or body. @Video1 is only the inspiration for cursor timing, floating head framing, face control points, and absurd digital manipulation. Do not copy the example person. camera: continuous one-shot, 85mm portrait lens, shallow depth of field, close-up floating head centered in frame. Smooth playful camera orbit from front to slight 3/4 angle and back, tiny push-ins on impacts, fluid speed ramps, no cuts, no static camera, no zoom. (0-0.7s) The floating head hangs alone in a soft grey void, staring blankly at camera. Hair gently floats with natural weight. Glasses, if present in @Image1, sit correctly on the face and reflect soft studio light. A white mouse cursor slides into frame and instantly changes into a white hand pointer icon. (0.7-1.5s) The mouse hand pokes the nose twice. Each poke squashes the nose inward, cheeks puff slightly, eyes cross toward the fingertip, eyebrows jump, glasses wobble realistically, and hair reacts with tiny delayed motion. The head bounces back like soft rubber. (1.5-2.4s) The hand pointer grabs the left cheek and pulls it sideways like stretchy dough. Lips drag with the cheek, one eye squints, the other eye opens wide, glasses tilt crooked for a moment, then slide back naturally. The head resists by leaning the opposite way, making it feel like a funny tug-of-war. (2.4-3.2s) The hand pointer pushes the forehead backward. The whole floating head tilts up and rolls back, mouth opens in dumb surprise, hair lifts and lags behind, glasses bounce once on the nose. The camera arcs slightly to 3/4 angle to make the movement feel dimensional. (3.2-4.2s) The hand pointer grabs the top of the hair and spins the head one clean 360 degrees around the vertical axis. Smooth speed ramp: slow start, fast middle, soft stop. Hair whips around with realistic delayed motion. Glasses stay on but wobble with inertia. Expression changes mid-spin from panic to goofy smile to dizzy stare. (4.2-5.1s) The hand pointer pinches both cheeks inward, squeezing the face into a tiny fish-mouth expression. Lips pucker forward, cheeks compress symmetrically, eyes get huge, eyebrows rise unevenly. Then the face pops back into normal shape with a satisfying elastic rebound. (5.1-6s) The pointer exits frame. The head bounces once, settles centered, hair and glasses finish their secondary motion, and the character gives a tiny annoyed blink straight into camera. Prioritize fluid physical comedy, clear mouse-hand interaction, satisfying elastic motion, realistic hair inertia, believable glasses wobble, sharp eyes, detailed skin pores, consistent identity, clean grey background, one floating head only, no extra characters, no UI text, no subtitles, no watermark. audio: music: none sfx: "cursor glide, hand pointer click, rubber nose poke, cheek stretch squeak, soft head bounce, quick spin whoosh, elastic pop-back, glasses tiny rattle" sound: "quiet studio room tone, faint digital ambience